Been told tonight on good auth, that every time he performs he’s stood in Blues crest arranged by clever ELO lighting powder monkeys.
I really hope this is true but never been remotely close to one of their classical gas rock moshpits to check
Stadium night of strange Knighthead Park magic please
King TutBeen told tonight on good auth, that every time he performs he’s stood in Blues crest arranged by clever ELO lighting powder monkeys.
I really hope this is true but never been remotely close to one of their classical gas rock moshpits to check
Stadium night of strange Knighthead Park magic please
I’m pretty sure Jeff Lynne recorded a short version of KRO a number of years ago.
Can't vouch for every time he performs but the last time I saw him play that was the case. When the audience realised there was a real healthy acknowledgement too ...... lots of Blues there 👍👍
sydneyblueKing TutBeen told tonight on good auth, that every time he performs he’s stood in Blues crest arranged by clever ELO lighting powder monkeys.
I really hope this is true but never been remotely close to one of their classical gas rock moshpits to check
Stadium night of strange Knighthead Park magic please
I’m pretty sure Jeff Lynne recorded a short version of KRO a number of years ago.
Get as close to the end of the road as you can in a couple of minutes?
sydneyblueKing TutBeen told tonight on good auth, that every time he performs he’s stood in Blues crest arranged by clever ELO lighting powder monkeys.
I really hope this is true but never been remotely close to one of their classical gas rock moshpits to check
Stadium night of strange Knighthead Park magic please
I’m pretty sure Jeff Lynne recorded a short version of KRO a number of years ago.
Get as close to the end of the road as you can in a couple of minutes?
Copyright: you have to watch it on YouTube.
try this.. nope, tried a back door.. no good
Absolutely dreadful. Glad he kept it to a minute.
I remember he did it at the same time as Ian Danter and Ron Toss, their version was massively more favoured and after hearing it once at St Andrews, it was never to be played again.
He’s worked with three of the Beatles, Dylan, Brian Wilson, Orbison and many other big names.
I’m sure he’ll forgive Ross and Danter their moment of fame.
Hank MarvinI remember he did it at the same time as Ian Danter and Ron Toss, their version was massively more favoured and after hearing it once at St Andrews, it was never to be played again.
Ah the great mystery they were selling over who the Bluenose Brothers were. I didn't like Singing the Blues either, felt really cheesy.