TamOsterbergPoloIt's sung too fast to get the la, la, la's in these days. I tried it on Friday.
And what key should it be sung in?
For a predominantly male crowd belting it out without too much of an upper vocal reach, around F or F sharp, I reckon.
Despite having a reasonably deep speaking voice, I’m more comfortable singing in a middle C
TallTamOsterbergPoloIt's sung too fast to get the la, la, la's in these days. I tried it on Friday.
And what key should it be sung in?
For a predominantly male crowd belting it out without too much of an upper vocal reach, around F or F sharp, I reckon.
Despite having a reasonably deep speaking voice, I’m more comfortable singing in a middle C
Depends on the song, of course! There's quite a stretch of notes between, say, 'joys and sorrows too' and 'dreaming of'.
I think, when it starts too high, that's why it peters out.
TamOsterbergPoloIt's sung too fast to get the la, la, la's in these days. I tried it on Friday.
And what key should it be sung in?
For a predominantly male crowd belting it out without too much of an upper vocal reach, around F or F sharp, I reckon.
I agree, Tam. There’s no right or wrong, but I always prefer it in F. Whenever I sing it solo, I default to F. As it’s a brass instrument song, I think. F makes sense. Appreciate Blues fans probably don’t carry chromatic tuners.
Theyd only get confiscated at the turnstiles.